A tech journalist specializing in cloud computing and cybersecurity, with over a decade of experience covering digital transformation trends.
During a revealing discussion, the acclaimed performer reflects on subjects as varied as her newest character as a regal sea creature to the invaluable wisdom gleaned from theatrical mistakes and meeting admirers.
Your latest character portrays the monarch of the cuttlefish in The Pout-Pout Fish; if you could be a fish for a day, which one would you choose and why?
Without hesitation, that particular fish residing near a specific shoreline â because itâs like an institution, and people go there specifically to spot it. I just think as remarkable that a resident aquatic creature that folks genuinely seek out and talk about â itâs a special fish.
What film do you always return to, and why?
The 1942 film To Be Or Not To Be. I love this picture. When I was childhood, it used to come on television occasionally, and once I videotaped it. I found it was hilarious. Itâs the legendary Carole Lombard and Jack Benny. Recently they were showing it at the Ritz and it turned out that it was also the favourite film of an acquaintance, and so we attended and just laughed repeatedly. It is a masterful work of humor and the entire cast in it are fantastic. The director Mel Brooks remade it in the 1980s â that wasnât as effective. But the original film is an exceptional farce, worth viewing often.
What is the most valuable lesson you learned from someone youâve worked with?
I was doing A Dollâs House with Pete â my husband now, but back then we were not together. We were playing opposite each other and during the premiere I stumbled â I jumped ahead some dialogue in the script. I was unaware what Iâd done but I abruptly sensed something wasnât right. I remember looking at him, and he expertly rescued the moment, and then our performance regained momentum and went really, really well. But I think the insight gained in that moment was, first, always trust the people in your scene. When you lose your place, if you turn around and toward the people youâre with, you can rediscover where youâre meant to be somehow. It is a profoundly communal thing, acting on stage. And next, just to have a sense of fun regarding it. Sometimes when a mistake occurs, things can ignite in a really great way if youâre really present then. It can be an unexpected boon when things go completely the wrong way.
Can you describe your most touching encounter with a fan?
Itâs not just one specific meeting but when I meet fans of Lord of the Rings, especially female fans, I hear a lot of stories about what Eowyn meant to them when they were younger ⌠events that occurred in their lives and how much that character meant to them and was some kind of help to them in those times.
Which questions get asked most frequently by Lord of the Rings fans?
The most specific inquiry concerns invariably regarding that infamous meal that Eowyn serves Aragorn. âWas the stew really that bad?â Itâs become a running gag, the entire episode involving that dish, and all fans wish to know the contents of the pot, and its preparation method, and in your opinion her skills improved now, or do you believe she really is a bad cook? People are, I think, fascinated by the humour of that situation. And I go into great detail describing the components that constituted the concoction â as I recall what they did; like they even adding pieces of red cotton to make it look like blood vessels in the meat. The crew employed great detail to render it as unappetizing as they could.
Whatâs been your most embarrassing run-in with a famous person?
I was at a pilates class and another participant lying down doing pilates, and the teacher remarked, âOh, Miranda, this is Miranda.â And I attempted some joke inquiring, âmight you be a journalist?â Because itâs an uncommon moniker and often when someoneâs a Miranda, they work in media. I wasnât really identified her. And when she got up, it was Miranda Richardson. At that point, I didnât know what to say. I still had to complete my class, and I experienced intense awkwardness. I wanted to say: âOh my gosh, I am aware of your work!â I consider sheâs so fabulous and I was simply too awestruck to say anything.
Articles have repeatedly stated that you were given your name from Prosperoâs daughter in Shakespeareâs The Tempest, and yet Iâve read you saying otherwise â can you settle the matter once and for all?
Indeed, I was named after the Sydney suburb. My mother learned via broadcast that they were opening a shopping centre at Miranda, and she thought seemed a nice name.
Whatâs the most chaotic thing thatâs ever happened on set?
While working in Brazil for the film Reaching for the Moon that was the most chaotic set Iâve ever worked on, and yet the film turned out brilliantly. But they just work in such a different way. Their concept of time there is really different. Typically, you receive a call sheet and you have to be on set punctually. But this was rather open ended â one would appear whenever you happen to be ready. It was a novel way of working for me. The elements were being assembled at the very last minute, and sometimes the plan was unclear the next location or how we were going to do it. And then I would be in the middle of a scene and wondering, âWhat caused that sound that just interrupted the scene? Oh, itâs the producer opening some champagne during filming, to start a party.â It turned out excellent, but goodness, itâs a really different approach to film-making.
Do you have a secretly good at?
Iâve always been good with numbers. I memorise numbers easier than I learn dialogue a lot of the time, I simply have that kind of a brain. So I think if I hadnât pursued acting, I likely might have worked in involving numbers, like math or accounting.
Whatâs the best piece of advice you have ever received?
When I was in secondary school, someone addressed us when we were graduating and stated, âdonât be afraid to failâ ⌠which I think is the best piece of advice, since one gains far more from setbacks than is gained from triumph. With success, you never really understand exactly how it happened. Failure, you learn abundant.
A tech journalist specializing in cloud computing and cybersecurity, with over a decade of experience covering digital transformation trends.